DXII was never just going to be a label and a clothing line. The bigger idea has always been the part you can’t see yet: the systems underneath — the tools that decide whether an artist actually owns their work, understands their numbers, and keeps the value they create.

Two of those tools are now far enough along to put in real hands. They’re not finished. That’s the point — we want to build the rest with the people who’ll use them.

What you’d be testing
Mesiah.io

Ownership, reinvented

A tokenisation platform that lets artists share ownership of their work directly with the people who believe in it — rights, revenue and fan value, on new rails.

Mastr System

The operating system for a catalogue

Catalogue, rights and royalty management in one place — the tool that runs the business side of an artist’s work so they can get back to making it.

Different problems, same belief: the people who make the music should own more of it, understand more of it, and keep more of it. Less middle, more artist.

“We’d rather build it with you than for you.”

— DXII
Who we’re looking for

You don’t need to be technical. You need to care about getting this right. Specifically:

  • +Artists and producers who want more control over their rights and revenue.
  • +Labels and managers juggling catalogues, splits and royalties the hard way.
  • +People who’ll be honest — who’ll tell us what’s broken, not just what’s nice.

In return: early access, a direct line to the people building it, and a real say in what these tools become. We’re keeping the first group small.